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In this article the author, beginning with the questioning of the current thinking around the “end of labour” and social levelling, the rising of middle classes. Introduction to Culture. Are there rules for eating at McDonald’s? Generally, we do not think about rules in a fast food restaurant, but if you look around one on a. Georg Simmel (German:; 1 March 1858 – 28 September 1918) was a German sociologist, philosopher, and critic. Simmel was one of the first generation of German. La historia de la sociolog Introduction to Sociology. Concerts, sports games, and political rallies can have very large crowds. When you attend one of these events, you may know only the people. Este ensayo se basa en la contribuci Kalinangan - Wikipedia, ang malayang ensiklopedya. Ang kultura o kalinangan sa pangkalahatan ay tumutukoy sa aktibidad ng sangkatauhan. Sa isang payak na kahulugan, ito ang . Iba't iba ang kahulugan ng kultura na sumasalamin sa iba't ibang mga teoriya sa kaunawaan, o sukatan sa pagpapahalaga, sa aktibidad ng sangkatauhan. Current Issue Volume 25, 2015 Published Date : A comparative study of multimodality in English and Persian spam letters of advertising. Georg Simmel e a 'sociologia da pobreza' Georg Simmel and the 'sociology of poverty' Georg Simmel et la 'sociologie de la pauvret Wikimedia Commons alberga contenido multimedia sobre Georg Simmel. Commons; Wikiquote alberga frases c Quando eu era membro do Conselho do Patrim Sa iba, ito ang kuro o opinyon ng buong lipunan, na maaaring makita sa kanilang mga salita, aklat at mga sinulat, relihiyon, musika, pananamit, pagluluto, at iba pa. Makikita ang 1. 64 kahulugan ng . Subalit, ang salitang ito ay pinaka pangkaraniwang ginagamit sa tatlong payak na mga diwa: Ang pagkakaroon ng matanging panlasa sa mga pinong sining at araling pantao, at tinatawag ding mataas na kalinangan. Isang binuong huwaran ng kaalaman, paniniwala, at ugali ng tao na nakabatay sa kakayahan para sa masagisag na pag- iisip at pagkatutuo ng pakikipagkapwa. Isang pangkat ng pinagsasaluhang mga ugali, pagpapahalaga, mga layunin, at mga gawain na nagbibigay ng katangian sa isang institusyon o panimulaan, organisasyon, o pangkat. Nang unang lumitaw ang konsepto o diwa noong ika- 1. Europa, may pahiwatig ito bilang isang proseso ng paglilinang ng halaman o pagpapainam, katulad ng agrikultura o hortikultura. Noong ika- 1. 9 daantaon, ito ay naging tumutukoy muna sa pag- inam o pagpino o pagdalisay ng isang indibidwal, natatangi na sa pamamagitan ng edukasyon, at pagkaraan ay tumukoy na sa pagsasakatuparan ng nasyonalismo, katulad ng mga adhikain o mga mithiing pambansa. Noong kalagitnaan ng ika- 1. Para kay Georg Simmel, isang sosyologong Aleman na hindi positibista, ang kalinangan ay tumutukoy sa . Katulad ito ng katagang . Pagkalipas ng Ikalawang Digmaang Pandaigdig, ang katawagan ay naging napakahalaga, bagaman mayroong dalawang magkaibang mga kahulugan, sa ibang mga disiplinang katulad ng araling pangkalinangan, sikolohiyang organisasyonal, ang sosyolohiya ng kalinangan at araling pampamamahala. Ang etimolohiya ng makabagong katagang . Sa wikang Ingles, ang salitang . Ginamit ni Samuel Pufendorf ang talinghagang ito sa isang makabagong diwa, na may kahalintulad na kahulugan, ngunit hindi na hinihinala na ang pilosopiya ang likas na perpeksiyon ng tao. Ang paggamit na ito ni Pufendorf, at ng iba pang maraming mga manunulat pagkaraan niya, ay may ganitong pagpapaliwanag: na ang kalinangan ay . Kaya't may pagkakaiba sa pagitan ng . Ang dalawang pangunahing mga kahulugan ng kalinangan ay lumitaw magmula sa kapanahunang ito: ang kalinangan bilang isang espiritu ng taumbayan na may natatanging katauhan; at ang kultura bilang paglilinang na papaloob o papunta sa loob ng sarili, o paglilinang ng indibidwalismong malaya. Ang unang kahulugan ay nangingibabaw sa pangkasalukuyang paggamit ng katagang . Culture: A Critical Review of Concepts and Definitions. Online Etymology Dictionary. Being after Rousseau: Philosophy and Culture in Question. The University of Chicago Press. Makatutulong ka sa Wikipedia sa pagpapalawig nito. Selected projects by Florian B. A process of such banality, it casually escapes the attention of those waiting. B. Using a medium format 6 x 7 or 6 x 1. B. Going largely unobserved, he shoots at the same level as his subjects, in well- lit conditions, at busy intersections thereby establishing a photographic paradigm that illuminates similarities and differences between his photos and the subjects. Though certainly influenced by American street- photography, B. The shared experience of waiting becomes a sociological platform upon which B. A group of Asian tourists giggle and grasp their identical coach bags, all caught up in the casual whimsy of spending the day shopping. Lord and Taylor, GAP, red plastic bags from Chinatown corner markets, businessmen and women on their lunch break with bags from Mangia, Subway, Hale and Hearty: it all bespeaks the dominating power of 2. Store signs loom enticingly in the background marking their territory and appropriating the urban environment. It is as though Baudelaire's flaneur, out for a pleasant stroll in 1. Paris, has become a hyper- consumer, chugging caffeine while on his or her cell phone on the way to Saks. Yet, It is here, amidst the depersonalizing powers of the city, that the subject's individuality displays itself most clearly. Gestures, posture, body language all come into relief. By focusing on this momentary cessation of action, B. He is a mutating reflection of the course of events, the movement of the city, the changing physiognomy of public opinion, the attitudes, sympathies and antipathies of the crowd.' 1 Chroniclers have been celebrating the street as the 'arena of modern life' for more than 1. Ce qu`on voit dans les rues de Paris (What You See in the Streets of Paris) indicates. From the mid- 1. 9th century, when Paris not only claimed to represent the political centre of the Second Empire but also advertised itself as the most progressive metropolis, the street developed into an ideal platform for 'society to write its own captions,' 3 , as a kind of well- informed 'mirror of social change.' 4 The boulevards of Paris were a metaphorical representation of a psycho- social reality such as Baudelaire expounded in his treatise The Painter of Modern Life. As a new technology oscillating between craft and art, photography . Thus the earliest photographic pictures include Daguerre's famous shots of the Boulevard du Temple, or Boulevard du Crime as it was popularly called in Paris. In capturing the transient space- time continuum, these constitute an outstanding image, leading rather incidentally to what is apparently the first photographic representation of a human being, a shadowy man who allows his shoes to be cleaned for the twenty- minute exposure time. On the street, modernism 'is the transient, the fleeting, the contingent', as Baudelaire put it, which despite being incidental merits particular, close attention from us. We 'have no right to despise this transitory, fleeting element.' If we do, we 'inevitably fall into the emptiness of an abstract and indefinable beauty.' 5 Baudelaire had an alert eye for the physiological expressions of reality, and was always ready to perceive distinctions and differentiations therein. Our notions today as to the behaviour of city dwellers are largely based on the ideas of Baudelaire, who saw the modern artist as embodied in the figure of the dandy or fl. His passion and his profession is to merge with the crowd. For the perfect idler, for the passionate observer, it becomes an immense source of enjoyment to establish his dwelling in the throng, in the ebb and flow, the bustle, the fleeting and the infinite. To be away from home and yet to feel at home anywhere; to see the world, to be at the very centre of the world, and yet to be unseen of the world, such are some of the minor pleasures of those independent, intense and impartial spirits, who do not lend themselves easily to linguistic definitions. The observer is a prince enjoying his incognito wherever he goes. It is an ego athirst for the non- ego, and reflecting it at every moment in energies more vivid than life itself, always inconstant and fleeting.' 6 The role of the fl. One such photographer is New York and Munich- based artist Florian B. In the Endcommercial project. Luca Pizzaroni and Wolfgang Scheppe, he drew up an inventory of more than 6. New York and its street furniture etc. Advertising hoardings, kerbs, street signs, traffic light colours, street vendors, parking meters, plastic maps, lettering fonts, rubbish and many other things belong, alongside specific body attitudes, to an impressive stock- taking of a constantly changing living world, whose complexity is largely a function of mobility and a constantly changing material economy. With documentary scrupulousness, they continue what Fox Talbot defined in The Pencil of Nature as the photographic experience of urban space: the camera registers every detail with the same care, regardless of whether it is an advertising slogan, the chimney of a house or the Belvedere Apollo. Wait for Walk is a further component in Florian B. Without the camera and photographer being visible at first glance to passers- by, B. The series was made within clearly defined general conditions. The camera focuses on people, while the urban environment such as advertising, traffic, architecture etc features largely in the background, even during the photographic sessions. In limiting the field of vision and concentrating on the physiognomies of the people depicted, B. There is a non- stop throng of people pulsating down the streets (the veins of the urban organism) hastening to its bodily organs (the public buildings), where they remain a while before leaving again and returning through the meandering network of veins. Day after day, hundreds of thousands stream down the streets of the metropolis and are forever in transitional motion that is constantly changing and being briefly interrupted at the major junctions. This 'gyrating world' (in Alfred Polgar's phrase) needs permanent freeze- frame documentation, the way shopkeeper Auggie Wren (played by Harvey Keitel) in Paul Auster's film Smoke films the neighbouring crossroads every day at the same time year after year from the same angle. A complete standstill in the incessant movement in a city like New York would be difficult to imagine, and can probably be induced only by an abrupt shock or a particular event. In the case of the present work, Wait for Walk, photographs effected this 'shock', rather like the head of Medusa, and as it were imposed an artificial standstill in order to single out the specific state of waiting in the flow of unceasing bustle. Though the experience of waiting is an everyday event, it is at the same time an anachronism in a way of life that is steadily speeding up. Yet we spend a good part of our lives waiting, whether at airports, stations, on motorways etc. In such moments we can recharge our batteries, accepting the interruption as a welcome break, a moment of deceleration in a hyper- dynamic world, and maybe even take stock of our own lives. In the photos of Wait for Walk, the people shown are not presented as anonymous mass decoration but are discernibly individual, permanently rescued from facelessness and historical oblivion. We recognise a differentiated spectrum of city dwellers of all ages and ethnic identities. But who are these people, where do they come from and whither are they bound? One is tempted to raise these existential questions, like Gauguin in his famous picture Where do we come from? Where are we going? In answer, we could describe human behaviour typologically, as Rudolf Binding did in the 1. German passers- by were more inhibited and inflexible than their European and American neighbours. At first glance, it is no easy thing to distinguish between tourists and local urbanites. In few cases does (casual) dress allow safe conclusions as to social status. Other characteristics such as full shopping bags from stores, boutiques or museums make a good starting point for a bit of detective work, but are only of limited use for identifying the people concerned because they relate mainly to commerce and trade. The photos record the intimacy of unobserved moments, like a hidden camera. They register different reactions and forms of human behaviour, states of mind and temperaments that add up to a rich vocabulary of non- verbal communication. As observers, we experience the situations shown, the facial expressions and the gestures, as we would a silent film. No sounds or smells from the normal polyphonic backdrop of noises and smells on the street break through or flow into the picture. Instead, a simultaneous scenario takes place before our eyes, a game of pantomime expressions. Swedish writer August Strindberg vividly describes a comparable phenomenon when, leaning from the upper floor of his rented flat in Stockholm, he watched the 'pantomimes on the street' unfolding before his eyes. It is great drama that takes place before our eyes, an interplay of rhetorical gestures and forms of behaviour. It reminds me of the children's game 'Freeze', in which everyone taking part has to stand stock- still at a secret command, frozen in the strangest of interactions. There is a similar kind of theatricality about the people frozen in the camera frame in Wait for Walk. Yet how can these photos, or more specifically how can the physical language of the people photographed, be interpreted in the social or political context? When Florian B. The disciplining of public space ordered by the New York authorities was under way, and on the principle of a zero- tolerance policy the homeless were driven from the streets, and in a (for New York) unique campaign the sidewalks and streets were kept clean, as a symbol and expression of the city's economic boom. SSS offers new loan restructuring program. State- run Social Security System (SSS) has introduced a new loan restructuring program (LRP) that will allow its members clean up their overdue loan principal and interest in full or by installment. In a statement, the pension fund for private sector employees said that the loan restructuring is open to members with past due calamity loans and other short- term member loans, which they can avail within the one- year period from April 2. Boobie Angela A. Ocay, SSS assistant vice- president said members can clean up their overdue loan principal and interest in full or by installment under a restructured term depending on their capacity. Both payment schemes offer condonation of loan penalties.“The LRP is in response to the widespread clamor from individuals and organizations to alleviate the burden of calamity- stricken workers, who face difficulties in paying their SSS loans after suffering from natural and man- made disasters that have devastated our country in recent years,” Ocay said. The program gives delinquent member- borrowers a chance to regain their good SSS standing and enjoy SSS benefits and privileges in the future. For example, borrowers can renew their SSS loan six months after they have fully paid their overdue principal and interest under the LRP. Borrowers can only avail of the LRP once. They cannot participate in any future SSS condonation or restructuring programs to instill credit discipline. The government website Making Home Affordable.gov provides homeowners with detailed information about the Obama Administration programs to assist homeowners with loan. Starting April 28, 2016, the Social Security System (SSS) launched the Loan Restructuring Program (LRP) for members with past due calamity and other short-term loans. Time to settle your past due loans! Here is How to Apply for SSS Loan Restructuring Program or commonly known as SSS Loan Condonation. WHO ARE ELIGIBLE TO APPLY? Members can file their LRP application at any SSS branch and monitor their loan statement of account at the SSS website. The LRP covers calamity loan borrowers in the 1. Mt. Pinatubo eruption and 1. Ondoy in 2. 00. 9. Sendong in 2. 01. Pedring, Quiel and Pablo in 2. Labuyo, Maring, Santi, Yolanda and Agaton in 2. Glenda, Mario, Ruby and Seniang in 2. Lando and Nona in 2. Also included are the Zamboanga armed conflict and the Bohol- Cebu earthquake which both occurred in 2. Members cannot avoid paying their overdue SSS loans since these are deducted from final benefit claims such as retirement, total permanent disability and death. Any delay in loan payments lead to accumulation of interest and penalties. Hence, we urge qualified borrowers to apply for the LRP,” Ocay said. Apart from installment payments, the borrower can also opt to pay the outstanding principal and interest in full. For both schemes, SSS shall waive all the loan penalties after the member has completed paying the restructured loan. Law firm specializing in foreclosure defense, foreclosure litigation and loan modification.Direct Loans for Businesses Involved in Recycling. Administered by BDC Capital, and funded by the Massachusetts Department of Environmental. NATIONAL CREDIT UNION ADMINISTRATION. Loan Workouts and Nonaccrual Policy, and Regulatory Reporting of Troubled Debt. |
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